Music Paper 1 (Afrikaans)

Feb-March 2011 — Grade 12 / Matric — Music

Past Paper 2011 Grade 12 Afrikaans

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Q5— Section header —

Q1— Section header —

1.1Transponeer die regterhandpar ty (G-sleutel\a\f

1.2Skryf die enharmoniese ekwivalent van die melodie by (a\

1.3Noem die gemerkte interv alle by (d\e\f\

1.4Beskryf die akkoorde en hul omkeri ngs by (b\c\

1.5Herskryf maat 3 in enkelvoudige tweeslagmaat. Voeg die nuwe tydmaatteken

1.6Hoekom is daar nie 'n rusteken __________________ ___________________ (1\

1.7Transkribeer die regterhandparty van m NSS

Q2— Section header —

2.1Skryf die solfa-ekwivalent vir die note by (a\b\ oktaafposisie aan.

2.2Benoem die akkoord by (d\ yvoorbeeld majeur, mineur, verminderd, ensovoorts, en herskryf dit sonder toons oortteken in digte posisie (noue

2.3Skryf die akkoord by (e\

2.4Noem die kadens by (g\

2.5Skryf en benoem die omkering van die interval by (c\

2.6Benoem die nie-harm oniese F-noot by (f\byvoorbeeld deurgangsnoot, ensovoorts\ NSS

Q3— Section header —

3.1Voeg toevallige tekens by die volgende om die E melodiese mineurtoonleer te

3.2Op watter toonleer is die musiekvoorbeeld hieronder gebaseer?

3.3Skryf die opgaande blues-toonleer wat op D in die G-sleutel begin in ebruik ten minste EEN ge sinkopeerde ritme in jou NSS

Q4— Section header —

Q5— Section header —

5.1Voltooi die vierstemmige harmonise ring hieronder deur geskikte akkoorde in NSS

5.2

5.2.1Noem die akkoordsimbole by (a\b\ (a\_____________________ (b\ ______________________ (2\

5.2.2Voltooi die stuk deur geskikte akkoorde van jou keuse by te voeg. NSS Beantwoord die vrae in hierdie af

Q6— Section header —

6.8gespeel as is 'n tipiese ritmiese kenmerk [8]8

7.1

6.1Klein instrumentale jazz-ensembles (1\

6.2Fokus hoofsaaklik op improvisasie (1\

6.3

6.4Musiek bedoel om in nagklubs gespeel te word (1\

6.5Musiek gespeel deur big bands (1\

6.6

6.7Duke Ellington (1\ (1\

7.1Brahms: Simfonie Nr. 4 in E mineur Op. 98 Voltooi die volgende sinne deur di e ANTWOORDEBOEK neer te skryf.

7.1.1Die vierde bewegi

7.1.2Die standaardsimf onie bestaan uit ... bewegings (aantal bewegings\

7.1.3

7.1.4Die beweging het ... va riasies (aantal variasies\

7.1.5Die variasies wo rd gegroepeer in ... seksies en 'n koda (aantal

7.1.6'n ...-maatfrasestruktuur

7.1.7Die tema in die A-seksie begin me strumente. (7\

Q7— Section header —

Q8— Section header —

Q9— Section header —

Q10— Section header —

7.2Kies EEN van die volgende werke: Die Moldau Vioolkonsert in E mi Polonaise in A-mol majeur Motiveer waarom jou gekose werk 'n goeie verteenwoordiging van die spesifieke genre in die

Q8— Section header —

8.1Definieer EEN van die musiekstyle hieronder. Noem EEN relevante komponis Impressionisme Neoklassisisme Musiekteater

8.2Beskryf hoe melodie en instrumentasie in jou gekose styl gebruik word. (4\

Q9— Section header —

Q10— Section header —

11.1Kwaito [5] Afrikaanse komponiste:5

Q12— Section header —

Q13— Section header —

Q11— Section header —

11.2Musiek vir sosiale en kulturele geleenthede

11.3Moppies en ghommaliedjies Skryf 'n kort paragraaf oor die musikale bydrae van EEN van die volgende Suid- SJ Khosa N van der Watt M Khumalo Verwys na voorbeelde van hulle komposisie s. Begin jou paragraaf met die komponis

Q14— Section header —

Mark Allocation

Total120 marks

Sections20 + 10 + 10 + 8 + 8 + 12 + 12 + 8 + 13 + 8 + 8 + 6 + 5 + 5 + 4 + 3 = 140 marks

Per-question sum59 marks

Paper information

SubjectMusic

Year2011

SessionFeb-March

TypePast Paper

PaperPaper 1

LanguageAfrikaans

Pages17

Downloads4

Examination context

Decade2010s

Years ago15y

Season—

Start day—

Exam period—

Days since exam—

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Corresponding marking memorandum

Marking memorandum available

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Music Memo 1 (Afrikaans) →

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