Dance studies Paper 1 (English)

May-June 2018 โ€” Grade 12 / Matric โ€” Dance studies

Past Paper 2018 Grade 12 English
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๐Ÿ“‹ Document Analysis

โฑ๏ธ 3h ๐Ÿ“„ 10 pages ๐Ÿ“ 36 items found ๐Ÿ“š 1 topics ๐Ÿ”‘ 1 key info
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Questions โ€” A Preview of What to Expect in the Document

36
This section provides a quick preview of questions from the document. It may not display every question or the complete wording of each one. For the full content, including diagrams, tables and other information, view the original PDF above.
Q8โ€” Section header โ€”
Q1โ€” Section header โ€”
1.1Choose a description from COLUMN B that matches component in COLUMN Write only the letter (A C\ next to the question numbers (1.1.1 to 1.1.3\ in the ANSWER BOOK. COLUMN A
1.1.3Strength Flexibility Neuromuscular kills our body will move freely and without restrictions ssential for coordination, control
1.5What is the difference between ardiorespiratory endurance and uscular endurance Explain THREE benefits of endurance in the dance class. How could a dancer develop core stability? How can core stability impro
Q2โ€” Section header โ€”
Q2โ€” Section header โ€”
2.3List THREE recognisable symptoms of stress/tension. Give advice to your fellow classmates on how to prepare for the final practical dance exam ination throughout the year Recommend THREE relaxation techniques to help
Q3โ€” Section header โ€”
3.1List any THREE muscles in the anterior section of the trunk. (3\ Source: www.pinter st.com
3.2.5Give TWO anatomical actions of the eltoid muscles. Name the muscle group responsible for the anatomical action of the dancer s knee joints. Name TWO muscles responsible for the anatomical action of the
Q4โ€” Section header โ€”
4.4Choose any T WO letters from the word and describe the meaning of each letter Explain THREE types of exercises a dancer can do after an injury to maintain mobility of the muscles and joints. State THREE safe dance practices a
Q5โ€” Section header โ€”
5.1Explain the choreographic structures below:
5.1.5Motif Sequencing Canon Stillne Climax (1\ (1\ (1\ (1\
5.2n example of contact work by shifting weight or lifting a partner is shown in the photograph below . Evaluate the important factors to consider when working with a partner. [Source: www.google.co.za/se
Q6โ€” Section header โ€”
6.2Analyse the benefits of mixing different dance forms/genres/styles when choreographing dance works. Discuss and elaborate on your und erstanding of multi disciplinary dance works. (6\
Q7โ€” Section header โ€”
Q7โ€” Section header โ€”
7.2Describe Martha Graham s background, training and career. Explain how Martha Graham Lamentation was innovative for that time. Refer to the following: (9\
7.2.2The mo vement vocabulary and symbolism The prod uction elements (8\ (4\
7.4Evaluate how the music enhanced the theme of Lamentation Martha Graham is often referred to as the m other of contemporary dance Do you think Martha Graham s choreography and dance technique made an impact o
Q8โ€” Section header โ€”
8.2Describe Vincent Mantsoe s background, training and career. Gula Matar deals with a very specific theme. Explain how this theme was portrayed in the following (9\
8.2.2The mo vement vocabulary and symbolism The production elements (8\ (4\
8.3Evaluate how the music enhanced the dance work. (5\
8.4incent Mantsoe drew on his own heritage and used this as an inspiration for his own choreography. Do you think Mantsoe's use of his own heritage has had an influence on South African dancers and choreographers? Substantiate your answer.
Q9โ€” Section header โ€”
9.3Give the name of the chor eographer and the title of the dance work that you have chosen Describe the choreographer s background, training and career.
9.3The mo vement vocabulary and symbolism The production elements (8\ (4\
9.5Evaluate how the music/accompaniment enhanced the dance work. Do you think this choreographer has made an impact on the dance world? Substantiate your answer. (5\ (4\ [30] 1030
Q10โ€” Section header โ€”
Q7โ€” Section header โ€”
10.3Give the name of the choreographer and the title of the dance work that you have chosen Describe the synopsis/intent/theme/idea of the dance work. Evaluate how the choreographer used symbolism within his/her dance work.

Topics Identified

1
Playwriting

Mark Allocation

Sections15 + 10 + 10 + 15 + 10 + 10 + 30 + 30 + 30 + 10 = 170 marks

Key Information

Websitewww.google.co.za ยท www.thebusinessofmusicanddance.com

Paper information

SubjectDance studies
Year2018
SessionMay-June
TypePast Paper
PaperPaper 1
LanguageEnglish
Pages10
Downloads5

Examination context

Decade2010s
Years ago8y
Seasonโ€”
Start dayโ€”
Exam periodโ€”
Days since examโ€”

About Dance studies examination preparation

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understanding question requirements
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Corresponding marking memorandum

Marking memorandum available

Use the corresponding memorandum after completing the paper to review your answers and identify areas that require further revision. The memorandum shows the marking approach used by DBE examiners, including method-mark allocations.

Dance studies Memo 1 (English) โ†’

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