Music Paper 2 (English)

Feb-March 2016 — Grade 12 / Matric — Music

Past Paper 2016 Grade 12 English

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🎯 30 marks ⏱️ 1h 📄 20 pages 📝 88 items found 📚 3 topics

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Questions — A Preview of What to Expect in the Document

This section provides a quick preview of questions from the document. It may not display every question or the complete wording of each one. For the full content, including diagrams, tables and other information, view the original PDF above.

Q1— Section header —

Q4— Section header —

Q6— Section header —

Q1— Section header —

Q2— Section header —

Q3— Section header —

Q4— Section header —

Q5— Section header —

Q6— Section header —

Q7— Section header —

Q1— Section header —

1.1Listen to the melodic and rhythmic phrase. Notate the rhythm of the missing notes in bars below. (3\ Play Track 1 TWICE again . Pause for 30 seconds in between.

1.2Listen to the extract from Menuet in G by Mozart Fill in the missing pitches that correspond with the music that you hear on the given score Play Track 2 ONCE more. (3\

Q2— Section header —

2.1Name the interval at

2.1(in the vocal part\ bar 3 e.g Major (1\ Play Track TWICE

2.2Name the cadence at

2.2in bars 7 and 8 Play Track TWICE

2.3This extract starts in bar 9. At

2.3in bar 11 y ou will hear a non chordal note in the vocal line.

2.3.1Notate this note on the score. (1\

2.3.2Name the type non chordal note. (1\ [4] TOTAL SECTION A:4

Q3— Section header —

3.1.4 for two minutes. Play Track 7 TWICE.

3.1Mark TWO items in COLUMN A that relate to Track 7 Make a cross (X\ in TWO appropriate blocks. COLUMN A

3.2Mark TWO items in COLUMN A t hat relate to Track 8 . Make a cross (X\ in TWO appropriate blocks. COLUMN A Track Anacrusis Allegro

3.3Mark TWO items in COLUMN A that relate to Trac . Make a cross (X\ in TWO appropriate blocks. COLUMN A Track Alto Aerophone Ostinato

3.4Mark TWO items in COLUMN A that relate to Track 10 . Make a cross (X\n TWO appropriate blocks. COLUMN A Track 1 Chorus Polyphonic

Q4— Section header —

4.1Listen to the extracts and answer the questions that follow. Play Track 11 ONCE.

4.1.1Identify the composer and title of this work Composer: _____________________________ Title: _____________________________ (2\ Play Track 12 TWICE.

4.1.2Which melodic compositional technique is heard in the violas and bassoons at the beginning of this extract? (1\ Play Track 13 TWICE.

4.1.3Which ONE of the following terms best describes the melodic material of the strings and f lutes in this extract? Make a cross (X\ in the appropriate block. Cantabile rpeggi

4.1.4Give a suitable Itali an term to describe the dynamic level of the melodic line in this extract. (1\ 10

4.2Listen to the extracts and answer the questions that follow. Play Track 15 ONCE.

4.2.1Identify the genre of this music. (1\

4.2.2Name the characters who sing in this extract (2\ Play Track 16 ONCE.

4.2.3Write down a suitable Italian term describe the change of tempo towards the end of this extract (1\ Play Track 17 ONCE.

4.2.4Choose the word that best describes the articulation applied in the accompaniment of this extract. Make a cross (X\ in the appropriate block. Staccato Leggiero Pizzicato Vivace (1\

4.3Listen to TWO extracts from Beethoven Symphony No. 6 which will be played twice each and answer the questions. Play Track 18 TWICE.

4.3.1This extract begins with a solo woodwind instrument which is followed by a solo brass instrument. Name each of these instruments. Woodwind instrument: ________________________________ Brass instrument: _________________________________

4.3.2Identify the movement from which this extract is taken (1\ 11

4.3.3Identify the movement from which this extract is taken. (1\ Play Track 20 TWICE.

4.3.4Choose the time signature of this extract. Make a cross (X\ in the appropriate block. (1\

4.3.5Mark the character or mood of this extract COLUMN A. Make a cross (X\ in the appropriate block. COLUMN A Track 20 Lento Tranquillo Agitato

Q5— Section header —

5.1Listen to the extracts and answer the questions that follow. Play Track 21 ONCE.

5.1.1With which ONE of the following terms would you associate this extract? Make a cross (X\ in the appropriate block. Marabi Mbaqanga Jazz in exile (1\

5.1.2Write down the title of th work. (1\

5.1.3Name TWO artists associated with this extract. (2\ Play Track 22 TWICE.

5.1.4A repetitive rhythmic drive is heard in this extract. Which instrument are heard in this regard? Make a cross (X\ in the appropriate block. Instrument Track 22 Horn section, bass and piano Cymbals, bass and piano

5.2Listen to the extracts and answer the questions that follow. Play Track 2 ONCE.

5.2.1Identify the South African jazz style. (1\

5.2.2Give TWO reasons for your answer to QUESTION

5.2.1(2\

5.2.3Name ONE artist associated with this extract. (1\

5.2.4Name the title of the work. (1\

5.3Listen to the extracts and answer the questions that follow. Play Track 24 ONCE.

5.3.1Identify the South African jazz style. (1\

5.3.2Give TWO reasons for your answer to QUESTION

5.3.1(2\

5.3.3Name the female vocalist associated with this extract. (1\ 14

5.3.4Describe how the call response technique is used in this extract. (1\ Play Track 26 ONCE.

5.3.58

Q6— Section header —

6.1Listen to the extracts and answer the questions that follow. Play Track 27 ONCE.

6.1.1Identify the South African style. Make a cross (X\ in the appropriate block. Marabi Mbaqanga Isicathamiya (1\

6.1.2Give TWO reasons for your answer to QUESTION

6.1.1(2\ Play Track 28 ONCE.

6.1.3Name the artist/group with whom you associate this song. (1\

6.2Listen to the extracts and answer the questions that follow. Play Track 29 ONCE.

6.2.1With which type of song do you associate the extract? Make a cross (X\ in the appropriate block. Wedding song Funeral song Struggle song War song (1\ Play Track 30 ONCE.

6.2.2With which type of song do you associate the extract? Make a cross (X\ in the appropriate block. Lullaby Celebration song Initiation song Work song (1\ 16

6.2.3Listen to the TWO tracks which will be played TWICE in succession omplete the table below . Identify the voice type, compositional technique and percussion instrument used in each track. Track 31 Track 32

6.3Listen to the extracts and answer the questions that follow. Play Track 33 ONCE.

6.3.1Identify the chordophone that you hear in the introduction of this extract. (1\

6.3.2Name the voice type of the solo singer who introduces the melody. (1\

6.3.3Identify the vocal compositional technique used in this extract. Make a cross (X\ in the appropriate block. Call and esponse Ululation Crepitation Imitation (1\

6.4

Q7— Section header —

7.1Name the overall form of this work. (1\

7.2Motivate your answer to QUESTION

7.1by indicating the main sections on the score Write capital letters above the staff. (3\

7.3Name the main key of the work bars 1 20

7.4To which key does the work modulate (change key\ in bar 17 (1\ Play Track 37 ONCE.

7.5Which compositional techniq ue is used in the bass part from (1\ Play Track 38 ONCE.

7.6track starts in bar 27 Name the cadence in bars 30 32. (1\ Play Track ONCE [8] TOTAL SECTION C: GRAND TOTAL:8

Topics Identified

Music TheoryPerformanceComposition

Mark Allocation

Sections6 + 4 + 4 + 8 + 8 + 8 + 8 = 46 marks

Paper information

SubjectMusic

Year2016

SessionFeb-March

TypePast Paper

PaperPaper 2

LanguageEnglish

Pages21

Downloads4

Examination context

Decade2010s

Years ago10y

Season—

Start day—

Exam period—

Days since exam—

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Music Memo 2 (English) →

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